Existentialism and Social Engagement in the Films of Michael Mann

Zusatztext

Michael Mann's films receive a detailed analysis as existential dramas, including  Heat, Collateral , The Last of the Mohicans and Public Enemies. The book demonstrates that Mann's films perform critical engagement with existentialism, illustrating the problems and opportunities of living according to this philosophy.

Autorenportrait

VINCENT M. GAINE is an Independent Scholar working in the area of Film, Television and Media Studies. He has published articles on digital film, superheroes in the new millennium, post 9/11 film and docu-drama, and continues to research philosophical filmmakers in contemporary Hollywood.

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