Angela Carter and Decadence

Zusatztext

By reading key Carter texts alongside their Decadent intertexts, Tonkin interrogates the claim that Carter was in thrall to a fetishistic aesthetic antithetical to her feminism. Through historical contextualization of the woman-as-doll, muse and femme fatale, Tonkin tests Carter's own description of her fiction as a form of literary criticism.

Autorenportrait

MAGGIE TONKIN teaches nineteenth and twentieth century literary studies on a sessional basis at the University of Adelaide, Australia. She has published articles on Angela Carter and on contemporary Australian fiction, and also writes journalism and reviews for the Australian dance press.

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