British Cinema and Middlebrow Culture in the Interwar Years

Zusatztext

<p></p><p><br><em>British Cinema and Middlebrow Culture in the Interwar Years</em> offers an understanding of British Cinema between 1928 and 1939 through an analysis of the relationship between the British film industry and other culture industries such as the radio, music recording, publishing and early television.</p><br><p></p><p></p><p><br>This relationship has been seen as a weakness of the British film-making tradition, but Lawrence Napper stages a re-appraisal of that tradition, arguing that it is part of a specific strategy of differentiation from Hollywood cinema, designed to appeal to the middlebrow aesthetic of the most rapidly expanding audience of the periodthe lower middle class.</p><br><p></p><p></p><p><br>Lawrence Napper argues that the middlebrow reputation for aesthetic conservatism masks an audience and popular culture marked by dynamism. Middlebrow texts addressed a British audience on the move, physically (into the new suburbs), socially (as upwardly mobile consumers), economically (employed in new and developing industries, and involved in new modes of living), and culturally (embracing new forms of mass cultural consumption, such as the cinema, the wireless and the best-selling novel). The ability of these audiences to adapt cultures of the past to the media of modern life (through stage or screen adaptations) ensured their negative reputation amongst Modernist commentators and intellectual elites.</p><br><p></p>

Autorenportrait

<p></p><p><br><strong>Lawrence Napper</strong> is a lecturer in Film Studies at the University of Greenwich; he was Senior Researcher on the British Cinema History Research Project for four years at UEA, and has appeared on BBC4s The Cinema Show. Publications include<em>Silent Cinema: film from 1914 to 1929</em> (forthcoming) and chapters in various books published by Routledge, Manchester UP, BFI Publishing.</p><br><p></p>

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