Abbas Kiarostami's Cinema of Life

Zusatztext

<p><a></a><span>Standing apart from celebrated Iranian ideals of war and martyrdom, revolutionary filmmaker Abbas Kiarostami was known as a man who praised life and celebrated it in all his works. Creating films for more than 40 years during times of unending war and political turmoil, Kiarostami promoted the Sufi tradition of seeing God as part of nature and the pre-Islamic Zoroastrian ideal of environmental protection.<br><br>Kiarostamis self-image as a citizen of the world, his renunciation of war, and his concern for the future of nature cement his importance within the art form of poetic cinema. Addressing Kiarostamis illumination of humanitys self-destructive tendencies, author Julian Rice presents a detailed analysis of twelve individual films, from</span><span>Homework</span><span>(1989) to</span><span>Like Someone in Love</span><span> (2012).<br><br>Departing from concerns of spectatorship or film in general, Rices book portrays the human and spiritual core of Kiarostami. Connected to all other humans and to the earth we all inhabit, Kiarostamis vision remains a powerful message for film scholars and peaceful people everywhere.</span></p>

Autorenportrait

<span>Julian Rice</span><span> is professor emeritus of English at Florida Atlantic University. He is the author of</span><span>Kubricks Hope</span><span> (Scarecrow Press, 2008),</span><span>The Jarmusch Way</span><span> (Scarecrow Press, 2012), and</span><span> Kubricks Story, Spielbergs Film</span><span>(Rowman&amp; Littlefield, 2017).</span>

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