Hearing Eyes, Seeing Ears

Zusatztext

This book approaches music in audiovisual culture as a complex merged signal rather than as a simple addition to the images of film. The audiovisual is central to modern culture, with screens and speakers (including headphones) dominating communication, leisure and drama. While this book mostly addresses film, it also deals with sister media such as television and video games, registering that there is a common core of synchronized image and sound at the heart of these different but related media. The traditions of sound and what Michel Chion calls audiovision (1994), including principles of accompaniment and industrial processes from film, have been retained and developed in other media. This book engages with the rich history, and varied genres, different traditions and variant strategies of audiovisual culture. However, it also points to and emphasizes the common core of flat moving images and synchronized sound and music which marks a dominant in electronic media culture (what might be called screen and speaker/diaphragm culture). Addressing music as both diegetic and non-diegetic, as both songs and score, the analyses presented in this book aim to attend the precise interaction between music and other elements of audiovisual culture as defining overall configurations. While many writings about music in audiovisual culture focus on what it communicates, its processes are more complicated and can form a crucial semi-conscious (or perhaps unconscious) background. While musics effect might be far from simple and unified, part of screen musics startling effect comes from its unity with the image. Cross-modal crosstalk between sound and image forms a whole new signal of its own. Each chapter marks a case study making for a varied collection that embraces rich history and different traditions, as well as the distinct aesthetic boldness of different genres and formats.

Autorenportrait

K. J. Donnelly is Professor of film and film music at Southampton University, UK. He is Author of The McGurk Universe: The Physiological and Psychological in Audiovisual Culture (2023) and Co-Editor of Folk Horror on Film (2023) and Contemporary Musical Film (2019), among other works.

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