Robert Walser and the Politics of Neglect

Zusatztext

This books argument is that Walser toys with style in ways that are not purely literary, but which carry the ambivalent resonance of politics in all its formscultural politics, sexual politics, class politicsboth in his own time and, still, today. Once almost forgotten, the Swiss modernist author Robert Walser is now widely read and celebrated both in Europe and in the Anglo-American world. Such was his early promise that Franz Kafka was heralded by Robert Musil as a peculiar case of the Walser type. The growing Walser Myth, as Reto Sorg has called it, has been fueled through reference to canonical readings by writers and critics such as Walter Benjamin, Susan Sontag, Elias Canetti, W.G. Sebald and J.M. Coetzee. Meanwhile, others have suggested that the legacy of important figures in German writing such as Musil, Karl Kraus, Frank Wedekind and Walser himself suffered in the past from the early canonization of a quartet of authors taken to represent the high water mark of modern German literature: Thomas Mann, Rainer Maria Rilke, Franz Kafka and Bertolt Brecht (serving as a byword for literary achievement in the novel, lyric poetry, short prose and drama respectively). Perhaps like Kafka, Walser today feels uncannily modern. He is therefore attracting a great deal of critical interest for the key themes of his work: the enigmatic and fleeting experience of modern life, the intricacies of sexuality and sex identity, the modern experience of work, money and consumerism, the intersecting politics of capitalism and populism, and so oncontemporary themes that connect powerfully with his own life and writing. This study brings all of these issues into focus, reassessing them through the lens of Walter Benjamins claim that Walsers writing is to be thought of in terms of a certain neglect of style. 

Autorenportrait

Simon Wortham is Professor of Critical Humanities and Pro Vice-Chancellor Research at Kingston University, UK. He has published nine monographs in modern European philosophy, critical theory, literature, and the arts.

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