Art Cinema and Theology

Zusatztext

This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Buñuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scène. He investigates both the technical qualities of film flesh and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrines authoritarianism, as well as philosophys individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.

Autorenportrait

<div>Justin Ponder is Associate Professor of English at Marian University, USA. He has written on theology and film in the J<i>ournal of Religion and Film, Religion and the Arts</i>, and<i> Imaginatio et Ratio</i>.<br/></div><div><br/></div>

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