Das musikalische Aufbauprinzip der ägyptischen Pyramiden

Zusatztext

For the first time in the history of the discipline, this book offers no analysis, no interpretation, but a consistent, step-by-step, mathematical causal derivation of all pyramid constructions based on the paradigm of the constructuon of the Pyramid of Cheops. The data studied is subject to the rules of physical acoustics and is verifiable. It proves irrefutably the existence of that ancient unity of musical theory, geometry and mathematics, which today seems to be unknown and to have become lost due to narrow subject specialisation, since otherwise contemporary Egyptologists would have appreciated Korffs discoveries in his previous book (Der Klang der Pyramiden) rather than ignoring it - although they had been alerted by the agreement of distinguished Egyptologists like Rainer Stadelmann and Jan Assmann. Those who read the second book, however, will now better understand the first! The musical interplay by which the height of all pyramids in whole numbers, corresponding to partial tones and overtones, possess a rational relationship to their bases and thus form visible architectonic proportions which can be played and heard in identical figures as musical intervals on ancient Egyptian instruments, gives rise to 14 new discoveries which will shake the very foundations of the discipline. The frequency of the third in the Pyramid of Cheops is in the pure key of A Major!

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