African Literary Aesthetics and Nature

Zusatztext

Despite the literary transition from modernist to postmodernist canons such as eco-criticism, Western modernist scholarship pervades their theorization, which contradicts African perspectives on the ecological environment. While Western scholarship is based on binaries that present nature as a separate other, African thought elevates the ecological environment as equal or better than humankind. This book cross-examines the major tenets of eco-criticism to evaluate their relevance to African Literature. Using postcolonial theory, the study interrogates contemporary tenets that dismiss as homocentric any literary works that adopt images from the ecological environment for aesthetic expression. The texts under study are Saadawis Love in the Kingdom of Oil, Amadis The Concubine, Ngugis The River Between, Biteks Song of Lawino, poems from Tendai and Purifacacaos 2017 Anthology and selected works of African folklore such as jokes, proverbs and songs from books and social media.

Autorenportrait

Andrew Nyongesa is a lecturer of literary studies at Muranga University of Technology (Kenya) and a research fellow at the Institute for Research and Policy Integration in Africa. He is also a dedicated writerhis published works are The Pearl on the Horizon (2024) Postmodern Reading of Contemporary East African Fiction (2024) by Routledge and Towards a Theory of Spirit Possession (2025) by Brill.

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